Logical facts in the shadow of emotional fakes
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The word “fake” has become firmly entrenched in our daily lives: in 2020, 77% of Ukrainians were aware of the existence of disinformation in the media. However, among them, 58% did not consider disinformation a serious problem, and 62% were confident in their ability to identify fake news. The purported confidence of respondents did not correspond with the results of the practical assessment. It showed that those who were able to distinguish falsehoods decreased from 11 percent in 2019 to 3 percent in 2020<\/strong>. Given Russia’s powerful information war against Ukraine, this situation is particularly threatening.<\/p>\n\n\n\n Other Eastern European countries are also under<\/a> constant bombardment from the Kremlin’s propaganda machine. In Poland, for example, pro-Russian salvos speculate on vaccines, LGBT people, refugees, and Ukrainian migrants. In Armenia, Kremlin propaganda rose sharply in the wake of the COVID-19 pandemic and the Karabakh war.<\/p>\n\n\n\n Logical and rational debunking of disinformation usually receives much less coverage than emotionally-charged fakes. Therefore, the work of fact-checkers is not always effective enough and apparent to the public, while in fact, the “visibility” of the truth is a protective shield against hybrid attacks from Russia<\/strong>.<\/p>\n\n\n\n Together with the Art Transparent Foundation from Poland and the Armenian Association of Audio-Visual Reporters, we created the international art project ARTIFAKE<\/a>. This project brought the non-traditional and creative tools of street art to the defense of the informational space.<\/p>\n\n\n\n 48 selected artists took part in an online residency, where they learned about fakes and methods of combating them with the help of experts. Then, creators implemented what they learned through their own artistic worldview. After that, the artists offered sketches of art projects that would tackle the problem of disinformation.<\/p>\n\n\n The artists implemented 9 projects in total. The cities where they were ultimately created were chosen by the residents of the communities of the participating countries. In Ukraine, we focused on the eastern and southern regions, as they are the most vulnerable to the Kremlin\u2019s propaganda. Open voting on Facebook and Instagram revealed the winners: Tokmak, Bakhmut, and Kakhovka, where murals about media literacy were placed.<\/p>\n\n\n\n Two more murals were planned to be created in Bilyaivka, Odesa region, and Rubizhne, Luhansk region. Unfortunately, we had to freeze this process on February 24, 2022, when the Russian Federation began its large-scale invasion of Ukraine.<\/p>\n\n\n To support Ukrainian children during the war, the project team organised an online art therapy session. 31 young students learned to manage negative emotions through creativity.<\/p>\n\n\n\n Armenian colleagues have created art objects in Gyumri<\/a>, Artik<\/a> and Metsamor<\/a>, and Polish ones in Wroc\u0142aw<\/a>.<\/p>\n\n\n\n Also, we launched a thematic site<\/a> where you can take a quick test<\/a> of media literacy and improve your critical thinking skills. In addition to street art, we have developed a comic book<\/a> about media manipulation, “ARTI VS FAKE Part 1 News Factory”.<\/p>\n\n\n\nAnti-fake art that is impossible to miss<\/h3>\n\n\n\n
![\"Murals](\"https:\/\/media-and-learning.eu\/files\/2025\/03\/Artifake_murals.jpg\")
<\/figure>\n<\/div>\n\n\n![\"Murals](\"https:\/\/media-and-learning.eu\/files\/2025\/03\/Arfifake_mural-in-Bakhmut-during-the-full-scale-war-as-of-2023-1024x576.jpg\")
<\/figure>\n<\/div>\n\n\nArt has helped 4 million people understand the problem of fakes<\/h3>\n\n\n\n