{"id":43143,"date":"2025-09-26T13:41:26","date_gmt":"2025-09-26T11:41:26","guid":{"rendered":"https:\/\/media-and-learning.eu\/?p=43143"},"modified":"2025-10-06T12:51:46","modified_gmt":"2025-10-06T10:51:46","slug":"from-the-classroom-to-tiktok-and-beyond-students-teaching-media-literacy","status":"publish","type":"post","link":"https:\/\/media-and-learning.eu\/subject\/media-literacy\/from-the-classroom-to-tiktok-and-beyond-students-teaching-media-literacy\/","title":{"rendered":"From the classroom to TikTok and beyond: students teaching media literacy"},"content":{"rendered":"\n<p>by <strong>Dr Klinta Lo\u010dmele<\/strong>, University of Latvia, Latvia. <\/p>\n\n\n\n<p>When I first introduced the course <em>Journalism in the Era of Disinformation<\/em> at the University of Latvia in 2020, it was developed within the framework of the IREX Baltic Media Literacy Programme, funded by the U.S. Department of State. The course adapted key ideas from IREX\u2019s program to the Latvian context. After being invited to design and teach it, I decided that the final exam would not be a theoretical test but a hands-on project where students act as media literacy ambassadors \u2013 they design and implement educational initiatives for real audiences.<\/p>\n\n\n\n<p>Over four years, students have created 80 small-scale media literacy initiatives in groups, and the results have been creative, playful and surprisingly insightful. They have produced short films, TikTok video series, podcasts, brochures, and board games, and even theatrical performances, such as the live performance <em>Informative Restaurant \u201cClickbait,\u201d<\/em> where a waiter and chef \u201cserved\u201d various types of disinformation to the audience, sparking a discussion about how we \u201cconsume\u201d information. Several groups also chose to work directly with communities, leading practical media literacy workshops for senior associations, children in orphanages and other vulnerable groups.<\/p>\n\n\n\n<p>Some groups even turned to music as a way to engage their audiences. One group wrote, recorded and filmed a hip-hop video about deepfakes, using humour to make the message memorable. Another group created an animated video clip with a playful song about media literacy (<a href=\"https:\/\/www.youtube.com\/watch?v=7xi4lGfKWDQ\" target=\"_blank\" rel=\"noreferrer noopener\">listen here, in Latvian<\/a>), proving that media literacy education can be both informative and entertaining.<\/p>\n\n\n\n<p>Some groups chose to make short movies. One of the most memorable was <em>Cool Girls Like Media Literate Guys \ud83d\ude09<\/em> \u2013 a tongue-in-cheek film about how media literacy skills can actually make someone more attractive, told through the story of a girl choosing between two suitors. Another group addressed online safety for children with a 21-minute drama designed for parents to watch together with their kids.<\/p>\n\n\n\n<p>One early group even created a podcast called <em>Info-d\u0113mija<\/em> during the pandemic, which was later picked up by a radio station and grew into more than 25 episodes featuring interviews with experts about media literacy from different perspectives. It is still available on Spotify (<a href=\"https:\/\/open.spotify.com\/show\/2kHjrsRDgUoL2gVhkvpACJ\" target=\"_blank\" rel=\"noreferrer noopener\">listen here<\/a>, in Latvian). I use this example to motivate students by showing that a classroom project can grow into a meaningful, long-term initiative.<\/p>\n\n\n\n<p>An important part of the process was letting students choose their own format and level of public exposure. This point came up in the \u201cMedia &amp; Learning 2025\u201d conference discussion, where some colleagues worried that students might be forced into a \u201cpublic performance\u201d before they were ready. My approach is to provide a safe but authentic environment: the projects are real, the audiences are real, but the level of exposure is student-controlled. That balance helps them take creative risks without fear of reputational harm. Students can choose to publish content on their personal profiles, create separate accounts for their campaigns, or avoid social media entirely by designing offline activities such as workshops or board games. To support quality and reduce risks, several weeks before the exam, students present their ideas in a seminar where we discuss their plans and they receive feedback \u2013 sometimes also from invited communication experts \u2013 and can consult with me at any stage of the process.<\/p>\n\n\n\n<p>This approach forces students to think strategically about their audiences. They cannot simply produce only what <em>they<\/em> like \u2013 they must consider who will watch, listen, or play, and how to keep that audience engaged. For many, this is the first time they have to measure engagement and gather feedback.<\/p>\n\n\n\n<p>Some of the most valuable lessons came from projects that seemed \u201ceasy\u201d at first. Students who initially thought that making TikTok videos would be the simplest choice soon learned that viewers often drop off after only a few seconds, so keeping attention requires skill \u2013 planning strong hooks, using trending music, and other engagement tactics.<\/p>\n\n\n\n<p>Of course, there are formal assessment criteria, and students must present their work, reflect on what they would do differently with the benefit of experience, and critically evaluate their own results. For me, the challenge is to create fair grading criteria that can apply to such different outputs \u2013 from songs to podcasts to workshops \u2013 and to find the time to review long-form content such as 30+ minute podcasts or full-length workshop recordings. The learning outcomes are well worth the effort \u2013 this is not just an exam to \u201ctick the box,\u201d but practical training that helps students make a small but real contribution to media literacy in society.<\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:24% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"872\" height=\"1024\" src=\"https:\/\/media-and-learning.eu\/files\/2025\/09\/Klinta_Locmele_LATVIA_kvadrats-872x1024.jpg\" alt=\"\" class=\"wp-image-43145 size-full\" srcset=\"https:\/\/media-and-learning.eu\/files\/2025\/09\/Klinta_Locmele_LATVIA_kvadrats-872x1024.jpg 872w, https:\/\/media-and-learning.eu\/files\/2025\/09\/Klinta_Locmele_LATVIA_kvadrats-255x300.jpg 255w, https:\/\/media-and-learning.eu\/files\/2025\/09\/Klinta_Locmele_LATVIA_kvadrats-768x902.jpg 768w, https:\/\/media-and-learning.eu\/files\/2025\/09\/Klinta_Locmele_LATVIA_kvadrats-1308x1536.jpg 1308w, https:\/\/media-and-learning.eu\/files\/2025\/09\/Klinta_Locmele_LATVIA_kvadrats-1743x2048.jpg 1743w, https:\/\/media-and-learning.eu\/files\/2025\/09\/Klinta_Locmele_LATVIA_kvadrats-370x435.jpg 370w, https:\/\/media-and-learning.eu\/files\/2025\/09\/Klinta_Locmele_LATVIA_kvadrats-270x317.jpg 270w, https:\/\/media-and-learning.eu\/files\/2025\/09\/Klinta_Locmele_LATVIA_kvadrats-570x670.jpg 570w, https:\/\/media-and-learning.eu\/files\/2025\/09\/Klinta_Locmele_LATVIA_kvadrats-740x869.jpg 740w, https:\/\/media-and-learning.eu\/files\/2025\/09\/Klinta_Locmele_LATVIA_kvadrats-600x705.jpg 600w\" sizes=\"auto, (max-width: 872px) 100vw, 872px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>Dr Klinta Lo\u010dmele<\/strong>, University of Latvia, Latvia. <\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>by Dr Klinta Lo\u010dmele, University of Latvia, Latvia. When I first introduced the course Journalism in the Era of Disinformation at the University of Latvia in 2020, it was developed within the framework of the IREX Baltic Media Literacy Programme, funded by the U.S. Department of State. The course adapted key ideas from IREX\u2019s program [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":43147,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_mo_disable_npp":"","footnotes":""},"categories":[4,275,272],"tags":[],"class_list":["post-43143","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-featured-articles","category-higher-education","category-media-literacy"],"featured_image_src":"https:\/\/media-and-learning.eu\/files\/2025\/09\/From-the-classroom-to-TikTok-and-beyond_-students-teaching-media-literacy.jpg","author_info":{"display_name":"Chlo\u00eb P\u00e9t\u00e9","author_link":"https:\/\/media-and-learning.eu\/author\/chloe-pete\/"},"_links":{"self":[{"href":"https:\/\/media-and-learning.eu\/api-json\/wp\/v2\/posts\/43143","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/media-and-learning.eu\/api-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/media-and-learning.eu\/api-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/media-and-learning.eu\/api-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/media-and-learning.eu\/api-json\/wp\/v2\/comments?post=43143"}],"version-history":[{"count":6,"href":"https:\/\/media-and-learning.eu\/api-json\/wp\/v2\/posts\/43143\/revisions"}],"predecessor-version":[{"id":43400,"href":"https:\/\/media-and-learning.eu\/api-json\/wp\/v2\/posts\/43143\/revisions\/43400"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/media-and-learning.eu\/api-json\/wp\/v2\/media\/43147"}],"wp:attachment":[{"href":"https:\/\/media-and-learning.eu\/api-json\/wp\/v2\/media?parent=43143"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/media-and-learning.eu\/api-json\/wp\/v2\/categories?post=43143"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/media-and-learning.eu\/api-json\/wp\/v2\/tags?post=43143"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}